Gothic in the Carpathians

The exhibition presents new discoveries resulting from ongoing conservation work and field research, and provides an opportunity to visually verify attributions made long ago. We also take advantage of the opportunity to reunite, even if only temporarily, works of art whose elements were once scattered.

‘Gothic in the Carpathians’ is a unique opportunity to see up close paintings and sculptures that are difficult to access on a daily basis or have never been shown to the public. This applies, for example, to the extraordinary quality of the bust, the only surviving fragment of the famous Esztergom Crucifix, a work stylistically very similar to the monumental crucifix on the rood beam in St. Mary’s Church in Krakow. A major attraction of the exhibition is a sculpture by Veit Stoss the Younger, the son of a famous woodcarver who settled in Brașov: a monumental figure of St. John the Baptist from the central part of the altarpiece that once stood in the Evangelical church in Roadeș. Another unquestionable highlight of our exhibition is one of the finest sculptures by Master Paweł of Levoča – the Pensive Christ from Prešov Cathedral – which comes as a surprise to those familiar with this woodcarver’s works in St. James’s Basilica in Levoča. In turn, the famous Transylvanian Crucifix was obtained from the Franciscan church in Vienna. Brought from Sibiu to the imperial capital during the Baroque period, it became the most important object of worship there.

Exactly five centuries ago, the Ottoman invasion caused the collapse of cultural ties in the Carpathian region. The 19th and 20th centuries, in turn, were dominated by historical narratives from national perspectives. ‘Gothic in the Carpathians’ opens up a different perspective, which one might describe, following Zbigniew Herbert, as „a search for signs of a lost community”.

Curator and author of the exhibition script: Dr Wojciech Marcinkowski
Coordination: Katarzyna Pawłowska (in cooperation with Dr Štefan Valášek)
Exhibition layout and graphic design: nowy motyw – Dr Adam Orlewicz, Agata Rościszewska, Danjel Stelmach