{"id":17695,"date":"2026-04-07T11:56:08","date_gmt":"2026-04-07T11:56:08","guid":{"rendered":"https:\/\/new.mnk.pl\/wystawy\/geniusze-ze-skarbca-katedralnego\/"},"modified":"2026-04-16T08:09:39","modified_gmt":"2026-04-16T08:09:39","slug":"geniusze-ze-skarbca-katedralnego","status":"publish","type":"wystawy","link":"https:\/\/new.mnk.pl\/en\/wystawy\/geniusze-ze-skarbca-katedralnego\/","title":{"rendered":"The Geniuses of the cathedral Treasury"},"content":{"rendered":"\n<p>The Cathedral Treasury at Wawel Castle is a Late Gothic, three-bay structure with a rib-vault ceiling, constructed in the late 15<sup>th<\/sup> century, adjacent to the Cathedral on the northeast side. Since that time, it has been a place for storing precious historic objects of national significance such as sacred relics, priestly regalia, and other ceremonial items.<\/p>\n\n\n\n<p>In the spring of 1900, as part of the restoration of the Wawel Cathedral which had been in progress for the previous five years, work was begun on the Treasury. Several months later, the architect S\u0142awomir Odrzywolski, director of the restoration works, and Bishop of Krak\u00f3w Jan Puzyna took the decision to entrust the painted decoration of the Treasury to J\u00f3zef Mehoffer, a recognised artist of the new generation and winner of two gold medals at the 1900 Paris Exposition.<\/p>\n\n\n\n<p>Mehoffer began work in March of 1901 by creating polychrome decorations on the ceiling, continuing until the end of 1902. However, the project was never completed. A rich ornamental and figurative decoration covered the walls of the Treasury with the exception of four large planes, one in the pointed arch of the western wall and in three of the pointed arches of the southern wall, which the artist intended to use to illustrate important scenes from the history of Poland.<\/p>\n\n\n\n<p>Work on the polychrome decorations was abandoned due to the controversy raised by the stylistic choices and themes of the parts already completed, which represented a completely new approach to monumental art in line with the aesthetics of the Young Poland and Art Nouveau period.<\/p>\n\n\n\n<p>Particularly harsh criticism of Mehoffer\u2019s work was expressed by Count Karol Lanckoro\u0144ski, who advocated maintaining stylistic unity in the renovated cathedral in his pamphlet&nbsp; <em>Nieco o nowych robotach w Katedrze na Wawelu (A Few Words about the New Works at the Wawel Cathedral)<\/em>, published in Vienna in 1903.<\/p>\n\n\n\n<p>J\u00f3zef Mehoffer\u2019s polychrome decorations in the Cathedral Treasury are characterised by a wealth of forms and intensity of the lively colours used. The walls are covered in stylised plant motifs mainly with a continuous structure, inspired by patterns originating in folk art, but interwoven with heraldic elements and medieval ornamental stylings.<\/p>\n\n\n\n<p>On the northern wall, next to the two large windows, there are two archangels, Michael and Gabriel, dressed in garb which is in part based on the costumes of the Polish nobility and in part on peasants\u2019 clothes. Along the ceiling runs a frieze with pairs of angels undoubtedly inspired by traditional Christmas nativity scenes.<\/p>\n\n\n\n<p>The highly expressive figurative compositions in the lower parts of the ceiling, on the spaces above the rib supports, represent the \u2018geniuses of the nation\u2019. It is from this group of images that the design <em>Geniusze <\/em>(<em>II<\/em>) originates; an image of three delicate girlish figures lost in thought which, like the other \u2018geniuses of the nation\u2019, are winged and have tongues of flame on their foreheads.<\/p>\n\n\n\n<p>In this part of the polychrome decoration, the artist intended to portray the <em>Enthralled Angels<\/em>; the design for this never-to-be-completed project is also presented in the exhibition along with several designs for the polychrome decorations which are normally part of the permanent exhibition at the artist\u2019s home.<\/p>\n\n\n\n<p>Ultimately, the compositions which were implemented with the \u2018geniuses of the nation\u2019 were figures at once both spiritual and human which, in line with Mehoffer\u2019s intentions, \u201cembody the feelings which arise in people after painful experiences\u201d. The ideological context in which they are set is the 19<sup>th<\/sup>-century history of Poland, Polish Romanticism, and the messianic ideas which were strongly rooted in it, according to which the \u2018salvation\u2019 of the nation was to be achieved through painful experiences and suffering. Mehoffer\u2019s treatment of this subject is an expression of the Neoromantic tendencies which were prevalent at the turn of the century and of the influence of the views voiced by the philosopher Wincenty Lutos\u0142awski, proponent of the idea of Polish messianism.<\/p>\n\n\n\n<p>Beata Studzi\u017cba-Kubalska<\/p>\n\n\n\n<p>Curator\/coordinator \u2013 Beata Studzi\u017cba-Kubalska<\/p>\n\n\n\n<p>Artistic arrangement \u2013 Ewa Morzyniec<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"gallery-block size-medium expandable-gallery wp-block-mnk-gallery-block\"><h2>Zbiory<\/h2><div class=\"gallery-wrap\"><div class=\"gallery-wrap-inner\"><div class=\"grid gallery-sec\"><div class=\"grid-sizer\"><\/div><div class=\"gutter-sizer\"><\/div><div class=\"grid-item\"><div class=\"mansory-grid-card\"><a href=\"https:\/\/new.mnk.pl\/wp-content\/uploads\/2026\/04\/anioly-z-gwiazdami_original.jpg\" data-fancybox=\"gallery-92a11ea5-4c72-4d78-944e-682a2663582f\" data-caption=\"J\u00f3zef Mehoffer, Anio\u0142y z gwiazdami, 1901; karton do polichromii Skarbca Katedralnego na Wawelu akwarela, papier naklejony na p\u0142\u00f3tno Muzeum Narodowe w Krakowie\"><img decoding=\"async\" src=\"https:\/\/new.mnk.pl\/wp-content\/uploads\/2026\/04\/anioly-z-gwiazdami_original.jpg\" alt=\"\"\/><\/a><\/div><\/div><div class=\"grid-item\"><div class=\"mansory-grid-card\"><a href=\"https:\/\/new.mnk.pl\/wp-content\/uploads\/2026\/04\/geniusze-mehoffer_original.jpg\" data-fancybox=\"gallery-92a11ea5-4c72-4d78-944e-682a2663582f\" data-caption=\"J\u00f3zef Mehoffer, Geniusze (II), 1901, karton do polichromii Skarbca Katedralnego na Wawelu; w\u0119giel, akwarela, papier naklejony na p\u0142\u00f3tno Zbiory Muzeum Mazowieckiego w P\u0142ocku. Fot. Muzeum Mazowieckie w P\u0142ocku\"><img decoding=\"async\" src=\"https:\/\/new.mnk.pl\/wp-content\/uploads\/2026\/04\/geniusze-mehoffer_original.jpg\" alt=\"\"\/><\/a><\/div><\/div><div class=\"grid-item\"><div class=\"mansory-grid-card\"><a href=\"https:\/\/new.mnk.pl\/wp-content\/uploads\/2026\/04\/kozina-1_original.jpg\" data-fancybox=\"gallery-92a11ea5-4c72-4d78-944e-682a2663582f\" data-caption=\"J\u00f3zef Mehoffer, polichromia Skarbca Katedralnego na Wawelu, 1901-1902 Fragment polichromii \u015bciany p\u00f3\u0142nocnej z wyobra\u017ceniami Archanio\u0142a Gabriela i Archanio\u0142a Micha\u0142a \/ Fot. Janusz Kozina\"><img decoding=\"async\" src=\"https:\/\/new.mnk.pl\/wp-content\/uploads\/2026\/04\/kozina-1_original.jpg\" alt=\"\"\/><\/a><\/div><\/div><div class=\"grid-item\"><div class=\"mansory-grid-card\"><a href=\"https:\/\/new.mnk.pl\/wp-content\/uploads\/2026\/04\/kozina-2_original.jpg\" data-fancybox=\"gallery-92a11ea5-4c72-4d78-944e-682a2663582f\" data-caption=\"J\u00f3zef Mehoffer, polichromia Skarbca Katedralnego na Wawelu, 1901-1902 Fragment polichromii sklepienia z wyobra\u017ceniami Geniuszy (II) \/ Fot. Janusz Kozina\"><img decoding=\"async\" src=\"https:\/\/new.mnk.pl\/wp-content\/uploads\/2026\/04\/kozina-2_original.jpg\" alt=\"\"\/><\/a><\/div><\/div><div class=\"grid-item\"><div class=\"mansory-grid-card\"><a href=\"https:\/\/new.mnk.pl\/wp-content\/uploads\/2026\/04\/kwiaty_6633aafe6d539b0785add3eb3165ff34_original.jpg\" data-fancybox=\"gallery-92a11ea5-4c72-4d78-944e-682a2663582f\" data-caption=\"J\u00f3zef Mehoffer, Kwiaty, 1901; karton do polichromii Skarbca Katedralnego na Wawelu akwarela, papier naklejony na p\u0142\u00f3tno Muzeum Narodowe w Krakowie\"><img decoding=\"async\" src=\"https:\/\/new.mnk.pl\/wp-content\/uploads\/2026\/04\/kwiaty_6633aafe6d539b0785add3eb3165ff34_original.jpg\" alt=\"\"\/><\/a><\/div><\/div><div class=\"grid-item\"><div class=\"mansory-grid-card\"><a href=\"https:\/\/new.mnk.pl\/wp-content\/uploads\/2026\/04\/weze-wsrod-roz_original.jpg\" data-fancybox=\"gallery-92a11ea5-4c72-4d78-944e-682a2663582f\" data-caption=\"J\u00f3zef Mehoffer, W\u0119\u017ce w\u015br\u00f3d r\u00f3\u017c, 1901; karton do polichromii Skarbca Katedralnego na Wawelu akwarela, papier naklejony na p\u0142\u00f3tno Muzeum Narodowe w Krakowie\"><img decoding=\"async\" src=\"https:\/\/new.mnk.pl\/wp-content\/uploads\/2026\/04\/weze-wsrod-roz_original.jpg\" alt=\"\"\/><\/a><\/div><\/div><div class=\"grid-item\"><div class=\"mansory-grid-card\"><a href=\"https:\/\/new.mnk.pl\/wp-content\/uploads\/2026\/04\/zachwycone-anioly_original.jpg\" data-fancybox=\"gallery-92a11ea5-4c72-4d78-944e-682a2663582f\" data-caption=\"J\u00f3zef Mehoffer, Zachwycone anio\u0142y, 1901; niezrealizowany projekt fragmentu polichromii Skarbca Katedralnego na Wawelu tempera, kazeina, tynk Muzeum Narodowe w Krakowie\"><img decoding=\"async\" src=\"https:\/\/new.mnk.pl\/wp-content\/uploads\/2026\/04\/zachwycone-anioly_original.jpg\" alt=\"\"\/><\/a><\/div><\/div><\/div><\/div><div class=\"btn-sec d-flex justify-content-center\"><a href=\"#\" class=\"btn btn-transparent gallery-toggle-btn\">Poka\u017c wi\u0119cej zdj\u0119\u0107<svg class=\"icon\"><use xlink:href=\"#arrow-down\"><\/use><\/svg><\/a><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Cathedral Treasury at Wawel Castle is a Late Gothic, three-bay structure with a rib-vault ceiling, constructed in the late 15th century, adjacent to the Cathedral on the northeast side. Since that time, it has been a place for storing precious historic objects of national significance such as sacred relics, priestly regalia, and other ceremonial [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":17697,"template":"","wystawy_categories":[171],"class_list":["post-17695","wystawy","type-wystawy","status-publish","has-post-thumbnail","hentry","wystawy_categories-temporary-exhibition"],"acf":[],"_links":{"self":[{"href":"https:\/\/new.mnk.pl\/en\/wp-json\/wp\/v2\/wystawy\/17695","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/new.mnk.pl\/en\/wp-json\/wp\/v2\/wystawy"}],"about":[{"href":"https:\/\/new.mnk.pl\/en\/wp-json\/wp\/v2\/types\/wystawy"}],"author":[{"embeddable":true,"href":"https:\/\/new.mnk.pl\/en\/wp-json\/wp\/v2\/users\/5"}],"version-history":[{"count":0,"href":"https:\/\/new.mnk.pl\/en\/wp-json\/wp\/v2\/wystawy\/17695\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/new.mnk.pl\/en\/wp-json\/wp\/v2\/media\/17697"}],"wp:attachment":[{"href":"https:\/\/new.mnk.pl\/en\/wp-json\/wp\/v2\/media?parent=17695"}],"wp:term":[{"taxonomy":"wystawy_categories","embeddable":true,"href":"https:\/\/new.mnk.pl\/en\/wp-json\/wp\/v2\/wystawy_categories?post=17695"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}